THE ART OF THE FINISH
Oak veneer, Australian Raw Oak, smooth White or crisp Black, each with a clean profile and considered shadowline.
REAL MATERIALS, REAL PHOTOGRAPHS
Oak veneer is the choice when consistency matters.
Australian Raw Oak is natural timber: every length carries its own colour, tone and grain, and the four sides of one frame are not expected to match.
White and Black are smooth painted finishes with no timber grain showing.
Oak veneer gives you visible grain with a more consistent colour and tone.
The four moulding lengths can vary noticeably in colour, tone and grain and are not expected to match exactly. This is part of the character of Australian oak, not a flaw.
Choose White for a lighter edge or Black for definition, both without visible timber grain.
READY WHEN YOU ARE
Compare the four finishes on any product page, then order the one that suits the work.
Explore the collectionPRODUCTION SPECIFICATIONS
Use the supplied stock name, weight and finish in your product listing. Ask for written confirmation if a fixed paper-mill brand or exact construction profile is essential to your edition.
PAPER
230gsm Premium Matte Fine Art Paper for a smooth, glare-free finish. 240gsm Archival Textured Cotton Rag Paper for a high-end, premium archival finish, available up to 100 × 130 cm. 260gsm Metallic Pearl Paper for a subtle reflective finish.
Stock is specified by weight and surface. A paper-mill brand is not fixed online.
PRINTED CANVAS
Your artwork is professionally printed on canvas. It is stretched for the selected format and finished in a floating frame. Ask for written confirmation when an exact stretcher profile is part of your collector specification.
FRAMED PAPER
Framed paper is protected behind clear acrylic. The standard frame face is approximately 2 cm. Depth is approximately 3 cm up to 70 × 100 cm and 4 cm at 100 × 130 cm. Confirm the outside dimensions and profile for larger formats before publishing them.
FILE PREPARATION
Supply TIFF, JPG, PNG or WebP up to 200 MB. Aim for 300 ppi at final size, use sRGB with an embedded profile and keep important details away from crop edges. Do not add printer marks or arbitrary bleed unless requested.
FRAME FINISHES
Oak veneer gives a more consistent oak look. Australian Raw Oak uses four natural moulding lengths that can differ visibly in colour, tone and grain. Matching all four sides is not guaranteed. White and Black are smooth painted finishes without visible timber grain.
WALLPAPER
One supplied unit is a 70 cm wide × 10 m smooth paste-the-wall roll. The seamless repeat must be prepared at 70 cm wide and final scale. Print Punch does not offer Peel & Stick wallpaper on this service.
Screen colour is not a printed proof. For colour-critical editions, place a paid test order before launch.
ARTIST JOURNAL
Two oak finishes, two different promises. Consistency versus natural variation, how each suits different art, pricing differences, and what to tell collectors.
Read the guideHow to choose a double-primed blank canvas in a floating frame: sizes, frame finishes, painting to the edge, reusing the box and...
Read the guidePaper behind acrylic or canvas in a floating frame? How each format changes colour, detail, texture, price and packing, with guidance by...
Read the guide
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Type it in at checkout on your first order. It works on any print format, framed or unframed, in any size.
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